Tag Archives: Jonathan Dramaturgy

Goodbye, Yellow Brick Bro’d: The End-Tourage

I don’t know why I watch Entourage. It’s, I think, a comedy, but I don’t think I’ve ever intentionally laughed at something on it that was intended to be a joke.

Fat Turtle. Furtle.

It can’t be a drama, because it’s main character’s arc over the course of eight (8!) season is this: Vince gets cast in Queens Boulevard, it’s a hit, gets cast in AQUAMAN, it’s the biggest hit ever, though he doesn’t end up with Mandy Moore. Vince chooses Medellin over Aquaman 2, Medellin fails, he changes agents, then goes back to Ari. Vince doesn’t get to make Danger Beach, he does get to make Smoke Jumpers–except that he gets fired. Then: the saga that was SCORSESE’S GATSBY, followed by Vince having a drug/porn star problem that he conquers after like two episodes in season 8. Lastly, Vince has an interview with Vanity Fair and then marries the story’s reporter for no reason. He is always happy, especially at the end.

I defy anyone to describe any of Vince’s (non-physical) characteristics. Generally when the show needs viewers to feel a specific way about him, Turtle or someone says, “Vinny, you’re the nicest guy I know,” or “Vin, you’ve always treated us like family,” or “Vinny, you are so smart.” I honestly don’t even know if Vince was supposed to be an actually good actor. I’m pretty sure Aquaman would’ve been a hit without him, as evidenced by the studio’s willingness to replace him with the Prince of Persia: Sands of Time guy on the sequel.

So, why is this show so eminently watchable? I just don’t know. Nevertheless, here’s a glorious recap of the series finale.

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